Kari and Maureen

Canadian actress. Matchett began her acting career in Ontario after she moved from Saskatchewan's village of Spalding. In the latter part of the nineties, Matchett started her acting career in Canadian television. Then she went to the United States where she starred in The Secrets of Nero Wolfe Invasion: 24 Hours at Studio 60 and Ambulance Earth. In the series, she played Last Conflict. Her character as a character in The Department of Wet Cases, a Canadian TV drama, won her an award called the Gemini Award. In the show she played an ex-wife several seasons Impact. Joan Campbell is the title of her role in the TV Show Covert Operations since 2010. Cube 2, a 2002 Canadian film, was her first big-screen part. Hypercube, and was also in Angel Eyes, Boys with Broomsticks and The Tree of Life . Divorced. Then, in June 2013, her first child was born - the child of Jude Lyon Matchett. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) was an enthralling actress due to her reddish-orange hairstyle, her natural beauty, and her passion to portraying spirited heroines. She was an imposing actress and confident woman. Whether it was her being rescued by Charles Laughton in The Hunchback Of Notre Dame (1939), falling in love in the blackened sky of Walter Pidgeon in How Green Was My Valley (How Green Was My Valley 1941) or learning about the miracle of life through Natalie Wood in Miracle on 34th Street (Miracle on 34th Street 1947) or in a battle against John Wayne in The Quiet Man (The Quiet Man 1952) Maureen O'Hara was the first biography written on the screen legend called the Queen of Technicolor. Aubrey Malone, a film critic who follows the star's life from her early years in Dublin until her height of fame in Hollywood, draws new details and information on the subject from Irish Film Institute film production documents and newspaper articles from the past and fan publications. Malone analyzes her relationship of John Wayne, and the relationship she had in common with John Ford. He also addresses the highly debated issue regarding whether or not O'Hara was antifeminist. O'Hara was always a mysterious figure, despite being an iconic icon of golden-age film. The actress was famous for her privacy and for making controversial public statements which were against her personal beliefs. This first-ever biography provides a look behind O'Hara's larger-thanlife persona. By removing any myths about her, the book provides an objective assessment of a legendary film star.